Pretend It’s a City 30m. Much more recently Iris Marion Young developed the idea of actual diverse cities as an alternative to what she criticized as a nostalgic, homogenous imaginary community that served as the foundation for communitarian approaches to ethics. This is contrasted to the changing social world where New York City becomes a strong, but sometimes loose, way of communicating how she interacts with the world. Her friendship with Scorsese goes back to the many parties they attended together as young […] Jacobs argued that city streets were capable of handling strangers because there was a clear demarcation of public and private space, neighborhood people watching the activity, and lots of activity to watch (Jacobs, p. 35). Synopsis Pretend It’s a City. While you are looking, you might as well listen, linger, and think about what you see.”  John Wilson helps us do that even when the danger of a pandemic might keep us from being fully engaged. I know that I am hardly alone in engaging in these pandemic behaviors. It means taking the risk to invite others into our lives in meaningful ways. And rural townspeople are hardly cut off from the world, especially in the age of the internet. In Pretend it’s a City as well as in her writings, Lebowitz’s anger and dislike of others seems to be grounded in a real interest in ensuring that others get along as civilized strangers. With Fran Lebowitz, Martin Scorsese, Michael Alexis Palmer, Alec Baldwin. On living alone during the COVID-19 pandemic . According to her, “[t]he great thing … She's one of those people who's just an unwarranted celebrity. Even the places the series lags a bit are more a product of exhaustion from spending that amount of time with any other person, a sentiment I'm fairly confident Lebowitz would acknowledge. But she shares little wisdom about how strangers become more than that and she does not seem curious (beyond passive observation on the street) about those who are not like her. "In Pretend It's a City, we did go to Queens, [and it was] something Marty talked about as if we were going to Afghanistan." Between conversations and talks with an audience, Fran Lebowitz walks through New York City and her fears of Times Square, her mortal distractions and subway art. Indeed, I would add scaffolding to Lebowitz’s list as the number one thing that has negatively altered sidewalk life and pedestrian encounters in New York. Scorsese has directed a couple of concert films, The Last Waltz (The Band) and Shine a Light (The Rolling Stones) and I think it’s instructive to view his work with Lebowitz in that context. So, if the first episode hooks you, this is worth binge-watching. Pretend It's a City is a tribute to two things Scorsese loves, Fran Lebowitz and New York City, and that affection is contagious for much, if not quite all, of its running time. 1. Courtesy of Netflix. And while he invites us to laugh at the truly strange (inviting the audience to think “only in New York would you see X or Y!”), what makes the series much more than a freak show is that we often witness Wilson and those whom he encounters develop authentic relationships, or at least find support in one another. 10 - Magnifique, à voir immédiatement. Part of the ballet of the sidewalk, and of the city writ large, is that city dwellers move between and enact various roles as friends, neighbors, community members, coworkers, and strangers. À l'affiche sur SensCritique. The strangest conversation Wilson has is with a philosopher who proceeds to mention climate change, inequality, and weapons of mass destruction in less than thirty seconds. Nice. In her discussion of the sidewalk ballet, Jacobs notes that neighbors encounter one another familiarly outside their homes, but then go to work, “filling the role of strangers on other sidewalks” (Jacobs, p. 51). Pretend It's a City 2021 ★★★½ . In John Wilson’s HBO docuseries “How To With John Wilson,” filmmaker Wilson roams the city of New York (with occasional forays outside the city) in search of assistance on how to do different things, documenting the experience with his camera. Limited Series. Promenez-vous dans les rues de New York et dans l’esprit fascinant de l’écrivain, humoriste et conteur ironique Fran Lebowitz alors qu’elle s’assoit avec Martin Scorsese. Likewise, in the episode “How to Cover Your Furniture” we meet people who keep their furniture covered in plast and how those covers are made, but Wilson also engages in discussions about what is being protected and whether it is worth it. A series gets an Average Tomatometer when at least 50 percent of its seasons have a score. The philosophical gadfly may not be the best source of wisdom on small talk. She argues that with both the advent of cell phones and the increase of tourism in New York City, people stopped yielding to others on the sidewalk, making it more difficult to get where one is going without being stuck in foot traffic or getting bumped. Apologies for No One. It’s able to dwelve into her personal life alongside understanding the generational difference of her experiences. In this episode and others, Wilson takes a risk to engage with many persons both inside and outside New York who live very differently than he does. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. ALL RIGHTS RESERVED. Directed by Martin Scorsese. Lebowitz makes it clear that she cannot imagine living anywhere else and has some disdain for those who do not have the guts to try to live in New York. She is the embodiment of Katz's deli. While Lebowitz loves to observe strangers on the street, she loves her apartment where she has control over who enters. Review by BrianNaas. In words echoed later by Iris Marion Young, Jacobs invites us in the prefacing remarks on illustrations in The Life and Death of Great American Cities, “to please look closely at real cities. Young posits the city as a better alternative: “A normative ideal of city life must begin with our given experiences of cities, and look there for the virtues of this form of social relations” (Young p. 238). But city dwellers are hardly immune to nostalgia, as we bear witness in Lebowitz’s yearning for a lost sidewalk experience. 7.4 Les Mitchell contre les machines (2021) 6.1 Love and Monsters (2020) 6.9 Judas and the Black Messiah (2021) 5.3 Sans aucun remords (2021) 5.5 Le Passager nº 4 (2021) 5.3 Dans les angles morts (2021) Tout voir Les films VOD du moment. Pretend It’s a City. City life clearly entails more encounters with difference, with others who are strange to us, than we might encounter in a small rural town. It is through the transformative process of being a stranger to becoming a community member that we learn to be ethical. Choisir étoiles entre 1 et 10. Gotham Philosophical Society, Inc. is a 501(c)(3) with the mission to use the critical rigor and analytical imagination of philosophical thought to transform the civil, political, and educational institutions of New York City. At the very least, she draws an audience who wants an encounter with New York through the perspective of a quintessential New Yorker. Notable Video Game Releases: New and Upcoming. Watching it I felt a strange permission to imagine life returning to normal, as I know it will sometime this year. While there may be some readers or viewers who engage Lebowitz to learn something about the strange city of New York, I expect that most of her audience shares her love of New York and some familiarity with it. Wander the New York City streets and fascinating mind of wry writer, humorist and raconteur Fran Lebowitz as she sits down with Martin Scorsese. Interview highlights . Directed by Martin Scorsese, writer Fran Lebowitz talks about a variety of topics about New York City, including the arts, its subways, Times Square, and tourists. Martin Scorsese’s limited series Pretend It’s a City (Netflix, 2021) presents Fran Lebowitz as a woman rife with contradictions: a misanthropic party animal, a normcore style icon, and a miserable neurotic who might somehow be the happiest bastard in Manhattan. Jacobs worried about the assault on lively street life threatened by Robert Moses’s plans for highway construction that would have displaced people with automobiles. Young argues that the concept of community is both too homogenous and too idealized to serve as a foundation for ethical life in a diverse society. While I embraced (and still do) Young’s call to think of urban life as providing a normative foundation, I argued (and still believe) that she constructed a false dichotomy between the diverse city of strangers and the homogenous rural community. Mon Compte. Pour sa déclaration d’amour à New York. He learns through observation of others and through dialogue with mostly strangers (but also his landlord and neighbor in one episode). The idea that the city might provide a normative foundation for ethical thought is not new; arguably the first such effort can be found in Plato’s Republic, where he imagined the origins of the city to help think about the justice of the individual “writ large”. The pandemic has disrupted this ballet much further, and I worry that we may not even know or remember how to follow Lebowitz’s injunction to “pretend it’s a city,” that is, to engage with one another in that street ballet. The second episode explores the very odd phenomena in New York of ubiquitous building scaffolding. To the extent that cities always have been the places of diversity par excellence, we would do well in both our virtual and real lives to “pretend it’s a city” if becoming moral or just persons demands that we consider and respect Others, including those most different from us. The House in Fata Morgana - Dreams of the Revenants Edition -. Wilson sums up what he learned in his many conversations on coverings: “I finally felt confident heading into the future with or without a cover. BrianNaas’s review published on Letterboxd: A few weeks ago SNL had a parody skit that made no sense to me. And now he’s back with a new Netflix series, Pretend It’s a City, which is more of the same. After repeated failed attempts to cook a risotto that he thinks is worthy of his landlady, Wilson seeks other adventures to take his mind off it. Is there something to recommend “pretend it’s a city” as a moral imperative that would help us live better with one another? 50-54). In Wilson’s conversations with others about scaffolding, we learn not only about how people deal with this new element of street life, but also about the many ways in which we try to protect ourselves from harms in ways that might cost us true connection with others. With Alec Baldwin, Fran Lebowitz, Michael Alexis Palmer, Martin Scorsese. And they learn from one another. Pretend It's a City (TV Mini-Series 2021) cast and crew credits, including actors, actresses, directors, writers and more. The injunction to “pretend it’s a city” then, needs to be an invitation not only to get along better with strangers, but to invite strangers into our communities and to open ourselves to invitations to join theirs. In Pretend it’s a City as well as in her writings, Lebowitz’s anger and dislike of others seems to be grounded in a real interest in ensuring that others get along as civilized strangers. Some other great filming locations in Pretend It’s a City … Première date d'air Jan. 08, … All types of dwellers—urban, suburban, and rural, are increasingly drawn to virtual communities through the invitation of social media algorithms that place us on endless feeds that give us more of what we already like or with which we already agree (and therefore reenforce sameness (see, e.g., the 2020 documentary The Social Dilemma) and we all need to think about whether we are making an effort to connect with others who are different from us. Regarder Pretend It’s a City, c’est arpenter New York et ses époques en sept chapitres rythmés par un imprévisible jazz bebop.Scorsese nous fait le portrait de cette ville continuellement en action au travers des récits acérés d’une de ses plus fidèles représentantes, l’auteure et actrice Fran Lebowitz. Young invokes the city as an alternative to the impasse that had emerged in ethical debates in the 1990s, when Michael Sandel and others had engaged in a critique of liberal individualism by returning to ancient Greek understandings of humans as fundamentally social beings. S1, Ep2 8 Jan. 2021 and b) crossing the street or stepping into the curb to avoid oncoming pedestrians—especially if they are not wearing masks or are not wearing them properly. I'll never understand what anyone finds compelling in anything Fran Liebowitz has to say. Grand Central Station. Whether pointing out the irony of art auctions (“people applauded the price” but not the painting) or mocking her horrific luck with real estate, Fran Lebowitz’s delivery is masterful. If she wasn't talking about New York, Chicago or LA, no one would give a **** what she says. To do so, we need to think about what a city is—what is it that we would need to pretend if we are to do better? In her Justice as the Politics of Difference, she begins the chapter “City Life and Difference” with a quote from Jane Jacobs in which Jacobs argues that the room for tolerance of difference is created “…when streets of great cities have built-in equipment allowing strangers to dwell in peace together on civilized but essentially dignified and reserved terms” (Jacobs, p. 72; cited in Young, p.226 ). While communities can be closed, those that thrive do so in the act of transforming encounters with strangers into meaningful relationships. Another show might actually provide us with better insight into how to not only pretend it’s a city, but to realize what it means to be a citizen (in the broadest sense of the term). Pretend It's a City. Essentially, he follows Fran around with a camera and asks her a series of leading questions. About Tomatometer. If she wasn't talking about New York, Chicago or LA, no one would give a **** what she says. I'll never understand what anyone finds compelling in anything Fran Liebowitz has to say. Even the places the series lags a bit are more a product of exhaustion from spending that amount of time with any other person, a sentiment I'm fairly confident Lebowitz would acknowledge. © 2021 METACRITIC, A RED VENTURES COMPANY. Pretend It’s a City feels like a gift from the universe — a small, affectionate token that a lover might drop in the mail while traveling the world just to remind you that she’ll be back, and that she’s worth the wait. Wander the New York City streets and fascinating mind of wry writer, humorist and raconteur Fran Lebowitz as she sits down with Martin Scorsese. Much of her humor comes from misanthropic comments about how much she dislikes “her fellow man [sic],” but the criticism is not of humans per se but of the failure of others to attend to the city and to one another. Between conversations and talks with an audience, Fran Lebowitz walks through New York City and her fears of Times Square, her mortal distractions and subway art. 1. Watched Feb 12, 2021. So when we “pretend it’s a city” we need to think about the ways that cities afford us both the opportunity to live well with strangers but also to negotiate difference and build communities with those who had been Others to us. It is not a substitute, but it can help us think about the way that danger is mitigated not by ignoring or avoiding strangers or strangeness, but by engaging enough strangers that they are no longer all strange. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window), The Death and Life of Great American Cities. In the last episode, “How to Make Risotto,” Wilson documents his many failed attempts to make the perfect risotto to repay his landlady for her many years of friendship and support. In the end, we witness Wilson’s efforts to learn how to live well by accompanying him on his journey in which he looks closely at his city and reflects on his own efforts to live with others. Lebowitz argues that the solution would be for pedestrians to “pretend it’s a city,” asking wayward pedestrians to recall the time when we knew how to walk among strangers on the street and then reenact those behaviors.
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