Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett and Vivien Leigh". [Note 4] Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Marlon Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Great beauties are infrequently great actresses—simply because they don't need to be. [70] Leigh temporarily fell into a deep depression that hit its low point, with her falling to the floor, sobbing in an hysterical fit. [7] Porén, a Johnson non lle gustaba o nome e finalmente foi cambiado definitivamente a "Janet Leigh" (pronunciado como "Lee"). Janet Leigh se fait alors de plus en plus rare sur le grand écran, préférant se consacrer à la télévision. La crise qui commence à ébranler les grands studios contribue également au déclin de sa carrière. Known as The Laurence Olivier Archive, the collection includes many of Leigh's personal papers, including numerous letters she wrote to Olivier. [53], In February 1940, Jill Esmond agreed to divorce Laurence Olivier, and Leigh Holman agreed to divorce Vivien, although they maintained a strong friendship for the rest of Leigh's life. Janet Leigh est une actrice américaine d’exception. She became Lady Olivier. Janet Leigh [ˈd͡ʒænɪt liː][1], née Jeanette Helen Morrison le 6 juillet 1927 à Merced (Californie) et morte le 3 octobre 2004 à Beverly Hills, est une actrice américaine. [32] During this period, Leigh read the Margaret Mitchell novel Gone with the Wind and instructed her American agent to recommend her to David O. Selznick, who was planning a film version. [39] Her next role was in Sidewalks of London, also known as St. Martin's Lane (1938), with Charles Laughton. [46], Filming proved difficult for Leigh. [104], In 1960, she and Olivier divorced and Olivier soon married actress Joan Plowright. Cukor was dismissed and replaced by Victor Fleming, with whom Leigh frequently quarrelled. For stage names, Gliddon proposed "Susan" then "Suzanne Hartley" and "Mary Hartley", before the more outlandish "April Morn" and "April Maugham". Later, he would observe that he "lost Vivien" in Australia. "[30], Director George Cukor described Leigh as a "consummate actress, hampered by beauty",[125] and Laurence Olivier said that critics should "give her credit for being an actress and not go on forever letting their judgments be distorted by her great beauty. [41], Hollywood was in the midst of a widely publicized search to find an actress to portray Scarlett O'Hara in David O. Selznick's production of Gone with the Wind (1939). Her funeral was attended by the luminaries of British stage and screen. And it took me years to learn enough to live up to what they said for those first notices. L'année suivante, après avoir incarné l'une des Quatre Filles du docteur March avec June Allyson, tourné dans un film d'espionnage de George Sidney et figuré dans La Dynastie des Forsyte d'après John Galsworthy, elle obtient le rôle principal de Mariage compliqué, film de Don Hartman où elle joue une mère de famille aux côtés de Robert Mitchum. "[127], Leigh explained that she played "as many different parts as possible" in an attempt to learn her craft and to dispel prejudice about her abilities. [7], In 1917, Ernest Hartley was transferred to Bangalore as an officer in the Indian Cavalry, while Gertrude and Vivian stayed in Ootacamund. [31] Olivier had seen Leigh in The Mask of Virtue earlier in May and congratulated her on her performance. On 31 August 1940, Olivier and Leigh were married at the San Ysidro Ranch in Santa Barbara, California, in a ceremony attended only by their hosts, Ronald and Benita Colman and witnesses, Katharine Hepburn and Garson Kanin. In 1969, critic Andrew Sarris commented that the success of the film had been largely due to "the inspired casting" of Leigh,[129] and in 1998, wrote that "she lives in our minds and memories as a dynamic force rather than as a static presence". Pour l'ensemble des articles sur les personnes portant ce prénom, consulter la liste produite automatiquement. [89] Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Elle participera à 7 séries télévisées après le film, telles que Arabesque ou La Quatrième Dimension. On top of that, Vivien Leigh's romance with Laurence Olivier was a fairytale that wowed 1930s Hollywood. [143], 1940–1949: Marriage and early joint projects with Olivier. Le mariage est annulé le 28 décembre de la même année[3]. En 1948, les rôles mineurs se multiplient, comme dans Le Maître de Lassie de Fred M. Wilcox, mais elle se fait remarquer dans le musical (Ma vie est une chanson de Norman Taurog) et figure dans Acte de violence du prestigieux Fred Zinnemann. Vivien Leigh had read the novel when it first came out and had made her mind up to play the part, famously announcing, ‘I shall play Scarlett O’Hara, wait and see’. Leigh's death certificate gave her date of death as 8 July 1967, although she may have died before midnight the night before. She believed that comedy was more difficult to play than drama because it required more precise timing and said that more emphasis should be placed upon comedy as part of an actor's training. [55], Selznick observed that she had shown no enthusiasm for the part until Olivier had been confirmed as the lead actor, so he cast Joan Fontaine. [93] Tynan's diatribe almost precipitated another collapse; Leigh, terrified of failure and intent on achieving greatness, dwelt on his comments and ignored the positive reviews of other critics. En 2000, elle tourne son dernier film, la comédie Bad Girls from Valley High. [112] Leigh won the L'Étoile de Cristal for her performance in a leading role in Ship of Fools. [79], Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. Leigh appeared with Robert Taylor, Lionel Barrymore and Maureen O'Sullivan in A Yank at Oxford (1938), which was the first of her films to receive attention in the United States. Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. [12][13] She was removed from the school by her father, and travelling with her parents for four years, she attended schools in Europe, notably in Dinard (Brittany, France), Biarritz (France), the Sacred Heart in San Remo on the Italian Riviera, and in Paris, becoming fluent in both French and Italian. David Niven said she had been "quite, quite mad". ", "Vivien Leigh Centenary: Great Britons Stamps", New "My Week With Marilyn". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". [92] The reviews there were also mostly positive, but film critic Kenneth Tynan angered them when he suggested that Leigh's was a mediocre talent that forced Olivier to compromise his own. Le succès du film incite les responsables de la MGM à lui offrir de meilleurs rôles. [121] A memorial service was held at St Martin-in-the-Fields, with a final tribute read by John Gielgud. La même année elle tourne avec son mari Tony Curtis dans Houdini le grand magicien de George Marshall, et interprète le rôle principal féminin d'une nouvelle comédie musicale, Walking My Baby Back Home. She and Olivia de Havilland secretly met with Cukor at night and on weekends for his advice about how they should play their parts. Several weeks later, she miscarried and entered a period of depression that lasted for months. Janet Leigh naît le 6 juillet 1927 à Merced en Californie. [29] I find it so stupid. At the time, the public strongly identified Leigh with her second husband, Laurence Olivier, who was her spouse from 1940 to 1960.
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