We currently don't have any genres associated with this song. They say my blues is the hardest blues in the world to play. Going away to leave. The song was first recorded by Muddy Waters on his very first single for Chess in 1948, on which he used just his own slide guitar, voice, and Big Crawford's bass. [12][13], He had his first introduction to music in church: "I used to belong to church. I CAN'T BE SATISFIED (1948 As recorded by Muddy Waters Transcribed by TLSspider for Power Tab Editor Words and Music by McKinley Morgenfield Arranged by McKinley Morgenfield A Intro 1 I T A B g4 4 Gtr I P = 208 GP sl. [9], His grandmother, Della Grant, raised him after his mother died shortly after his birth. Well I'm going away to live. Muddy Waters's place and date of birth are not conclusively known. Unlike some of the tracks that didn't show up on US Rolling Stones records in the '60s, "I Can't Be Satisfied" was very good, and indeed one of their stronger pure blues covers, as well as one of their stronger early LP-only efforts. Though cut in Chicago, its sound was barely out of the Mississippi Delta. [34] In September 1963, in Chess' attempt to connect with folk music audiences, he recorded Folk Singer, which replaced his trademark electric guitar sound with an acoustic band, including a then-unknown Buddy Guy on acoustic guitar. "I sold the last horse that we had. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. King told Guitar World magazine, "It's going to be years and years before most people realize how greatly he contributed to American music." [25] 1955 saw the departure of Jimmy Rogers, who quit to work exclusively with his own band, which had been a sideline until that time. [32], In the 1960s, Muddy Waters' performances continued to introduce a new generation to Chicago blues. These songs included "Hoochie Coochie Man," "I Just Want to Make Love to You" and "I'm Ready." I Can't Be Satisfied Lyrics: Well I'm going away to leave / Won't be back no more / Going back down south, child / Don't you want to go? [40] The album proved controversial; although it reached number 127 on the Billboard 200 album chart, it was scorned by many critics, and eventually disowned by Muddy Waters himself: That Electric Mud record I did, that one was dogshit. Trouble and all worried mind. [45] In November 1976 he appeared as a featured special guest at The Band's Last Waltz farewell concert, and in the subsequent 1978 feature film documentary of the event. I was a good Baptist, singing in the church. [69], American blues singer and guitarist (1913-1983), "His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian, CS1 maint: bot: original URL status unknown (, sfn error: no target: CITEREFO'NealVan_Singel2002 (, sfn error: no target: CITEREFWhitburn1996 (. 2, in early 1965, but didn't make it onto an American release until the More Hot Rocks compilation in 1972. PDF access in print window. [citation needed]. We opened up in Leeds, England. The real highlight, though, is the slide guitar work by Brian Jones -- some of his best instrumental work on record, dovetailing hypnotically with Keith Richards' more standard rhythm guitar plucks. Though most of the tracks the Rolling Stones recorded prior to 1968 were issued relatively quickly in both the US and the UK, there were several stray items that only appeared in one or the other country in the 1960s. Maureen O'Donnell and Miriam Di Nunzio, "Singer Joseph ‘Mojo’ Morganfield, son of blues legend Muddy Waters, has died at 56", "Late bluesman Muddy Waters at center of legal dispute in DuPage", "Muddy Waters' heirs back off on contempt claim as dispute over bluesman's estate continues in DuPage", "List of honorary Chicago street designations", "Massive Muddy Waters Mural To Be Dedicated in Chicago", "Mississippi Blues Commission – Blues Trail", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", Live at the Checkerboard Lounge, Chicago 1981, Rollin' Stone: The Golden Anniversary Collection, https://en.wikipedia.org/w/index.php?title=Muddy_Waters&oldid=1022011777, Grammy Lifetime Achievement Award winners, People from Issaquena County, Mississippi, CS1 maint: bot: original URL status unknown, Articles lacking reliable references from April 2021, Short description is different from Wikidata, Articles with unsourced statements from September 2017, Articles with unsourced statements from April 2020, Pages using Sister project links with hidden wikidata, Articles with Encyclopædia Britannica links, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 May 2021, at 22:25. The album was a follow-up to the previous year's The London Howlin' Wolf Sessions. [8] In the 1930s and 1940s, before his rise to fame, the year of his birth was reported as 1913 on his marriage license, recording notes, and musicians' union card. Song information for I Can't Be Satisfied - Muddy Waters on AllMusic Lyrics to I Can't Be Satisfied by Muddy Waters from the 100 Blues Classics & Greatest Blues Hits album - including song video, artist biography, translations and more! [14]. AZLyrics. McKinley Morganfield (April 4, 1913 – April 30, 1983),[1][2] known professionally as Muddy Waters, was an American blues singer-songwriter and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues. "[14] He started playing his songs in joints near his hometown, mostly on a plantation owned by Colonel William Howard Stovall.[15]. B. Lenoir. I CAN'T BE SATISFIED As recorded by The Rolling Stones (From the 1965 Album THE ROLLING STONES NO. Mick Jagger handles the lyric with suave assuredness. [36] In October 1963, Muddy Waters participated in the first of several annual European tours, organized as the American Folk Blues Festival, during which he also performed more acoustic-oriented numbers.[37]. In the early 1930s, Muddy Waters accompanied Big Joe Williams on tours of the Delta, playing harmonica. It was included on their second British album, The Rolling Stones No. Submit Corrections. [42], Later in 1969, he recorded and released the album Fathers and Sons, which featured a return to his classic Chicago blues sound. One of Led Zeppelin's biggest hits, "Whole Lotta Love", is based on the Muddy Waters hit "You Need Love" (written by Willie Dixon). In 1952, Little Walter left when his single "Juke" became a hit, although he continued a collaborative relationship long after he left, appearing on most of the band's classic recordings in the 1950s. Angus Young, of the rock group AC/DC, has cited Muddy as one of his influences. Eric Clapton was a big fan of Muddy Waters while growing up, and his music influenced Clapton's music career. He stated that he was born in Rolling Fork, Mississippi, in 1915, but other evidence suggests that he was born in Jug's Corner, in neighboring Issaquena County, in 1913. Gibbons eventually converted the wood into a guitar. It was the first time the young bluesman committed to disc the song that would make him a … His career began in the 1920s, when he played country blues to mostly African-American audiences. [31] Both the musicians and audiences were unprepared for Waters' performance, which included his electric slide guitar playing. Both sessions were eventually released by Testament Records as Down on Stovall's Plantation. It marks him as one of the finest rock slide guitar players, with an especially nice high exclamatory phrase that brings the song to a close. [66], Following his death, fellow blues musician B.B. Riff Rundown. Both albums were the brainchild of Chess Records producer Norman Dayron, and were intended to showcase Chicago blues musicians playing with the younger British rock musicians whom they had inspired.
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